So, I'm borrowing a laptop to write this -- not sure if I have all the setting right, so if this is late, well that's why. As Jeff mentioned, he's getting married next month; and I? Well, I'm crazy swamped between the last of the Settlement stuff, working with ComicsPRO (www.comicspro.org), and a couple of things I'm not going to tell you about right now (I'll tell you when I'm done) What does this mean? That September is going to be a very thin month for posting on this here blog. Like, I-might-not-even-getting-the-shipping-lists-up-for-the-next-few-weeks thin. On the other hand, when Jeff and I come back to it, we'll be tanned, rested and ready, and our (my!) post counts should be going up. Ben continues to be the light of my life, and the bane of my "free time", but mostly in a good way. I took him to the Renaissance Faire in Golden Gate park this weekend (sffaire.com), and we had an amazing blast. We saw a Punch & Judy show, and scenes from Midsummer's Night Dream, and a joust, and acrobats, and a blacksmith, and a Drum Circle and wandering minstrels, and all kinds of wonderful stuff, and Ben seemed pretty captivated by it all. He also participated in as much of it as he could -- wandering into the Drum circle and forcing his way into playing, that kind of thing, as 2 year olds are wont to do. The really nice part was we went on a slow Sunday morning, so there were like 200 "actors", and maybe 50 normal people -- which meant people could be patient with Ben, since there wasn't much else to do. Normally a music class or a swimming class or whatever costs like $10-15 for an hour (or less) -- $15 here got me nearly 4 hours of worked-for-Ben entertainment, so, bonus! I hope they continue the Faire in GG park -- it's a nice spot for it (much better than driving 90 minutes to the dust-chocked field in Novato where the "real" RenFaire gets held) Funny thing though, and maybe it was just because it was the end of the day and he was getting tired and cranky, but Ben kinda freaked twice. Once was during the Midsummer's Night Dream scene, because I think he got scared by how much the Puck was overacting; the other time was during one of the juggling shows, and the performers were being so frantic and shouty, that I think Ben thought they were trying to hurt each other. He was getting so cryish about it that one of the performers actually came down from the stage to reassure Ben that they were just fooling around. I hate being one of "those parents" with a squally brat, but sometimes you got to let them cry and work things out on their own I believe. Anyway, for some reviews, just skimming off the top of the last two weeks, let's start with 8/17 books: BIRDS OF PREY #85: I can't say that I am the biggest fan of THE KILLING JOKE. To a certain extent, it is the darker half of WATCHMEN -- all of the grim, and not enough of the hope. If it hadn't been for the crippling of Babs Gordon, I don't know that any of us would really remember it today. Certainly that last "joke" isn't especially funny. But, it happened. I don't much like reversing out major events like that. So, I have some trepidation from this issue of BoP where there's every indication that Gail Simone is trying to reverse that action -- all the while using some crazy pseudo-science thing, when all of the other "more natural to the DCU" crazy pseudo-science was being happily ignored. Maybe there's someplace deeper this is going, I suppose we can trust Gail, but keeping Babs'status quo was good for 2 reasons: 1) it showed that there WERE ramifications to stories, and, probably more importantly, 2) that it gave the DCU a handicapped character who was shown to be both competent and heroic. Losing that, I feel, leaves the DCU a weaker place, far more than bringing back everyone's favorite redhead crime-fighter (dude, I had SUCH a thing for Yvonne Craig when I was 8). Like I said, maybe Gail is going somewhere different than that, but I don't want my Babs being able to walk around and unravelling all of that. As a single comics this was on the high side of OK. QUEEN BEE SC: Chynna Clugston's new series (?) for Scolastic's Graphix imprint begins here... and, huh, it pretty much sucked. Every trite high-school device is on display here, and as Lester noted, the first 20 pages (or whatever) are all Tell, Tell, Tell, with no show. I literally groaned out loud when it got to the "locket of my long lost sister" because that couldn't have been more blatent and obvious within the story. I suppose if you're 12 years old and you've never read any of these trite clichés before, you might like this -- Chynna's art is certainly energetic and pretty, "American manga" without being too off putting to a western reader -- but if you've ever read any fiction ever, anywhere, of any kind, you can recite EVERYthing that will happen, and all of the "very special lessons" that characters learn, just like rote. AWFUL. ULTIMATE SPIDER-MAN ANNUAL #1: Yeah, the pairing of (young) Peter and Kitty makes a lot of sense -- that was pretty sweet and touching and clumsy and nice, and I thought it was a really enjoyable read.... even without Bagely. I don't know that I'd like that to be a permanent thing, but, for the moment I liked it a lot. VERY GOOD, and was my PICK OF THE WEEK for 8/17 comics. My BOOK/TP of the week for the 8/17 books was RABBI'S CAT. What a nice little book. Too bad that neither Last Gasp nor Cold Cut seems to be carrying it, whcih means I am stuck with Diamond.... who is out of stock. Gotta love books that can't be stocked, but rock that much. QUEEN BEE will be my PICK OF THE WEAK. For 8/24 books, here is what I have to say: ADVENTURES OF SUPERMAN #643: On the one hand, if you're reading OMAC, etc., at least half of this issue was a massive fucking waste, narratively speaking -- just recapping everything already said before. But, actually, it turned out to be... well, not clever per se, but an interesting issue balanced against 8/31s WONDER WOMAN #220, which does the other side flip. Plus, I'm going to go an assume that someone figured it out, and that this would end up as the first issue in the 4th trade of Rucka's run, and so, it works fairly well if that's going to be the case. I don't buy the angst and the reactions, though, but then I'm just a big fucking sourpuss, I guess. OK. BATMAN #644: This is my new working theory: everyone working on Batman right now secretly hate the character, and are doing everything they possibly can to get the book(s) cancelled. How else can you possibly explain this kind of out-of-left-field, out-of-character inanity? I mean, there's no terms that this can possibly work -- the plan is to kill off a child to get Batman to stop being Batman? Huh, that sure worked when it was Jason Todd, right? Like, Jeff Lester, I am waiting for the big reveal when they show it was Jim Gordon who was Hush all along, right? That's the next inevitable step, right? Then Tim Drake will get sent back in time to become Joe Chill, sure. I mean, what the fuck? The only thing we can possibly hope is that we'll get a HOUSE OF M crossover, and a white-burst can wipe this all away from continuity, forever. Pure CRAP. ["Retail Intelligence" note: sales of BATMAN have dropped down (about 1/3) to DETECTIVE sales for this storyline, rather than DETECTIVE rising up to match BATMAN.] DAY OF VENGEANCE #5: I was going along with it thinking that maybe this was a "new" Nightshade or something... and then it referenced the Suicide Squad stuff, and I was all, BLAM, "Uh, no that's not the same character". Same thing with the portrayal of the Spectre -- that's NOT how moonface works, based on any of his own comics. The characters were so far off characterization, that I really disliked this issue intently. AWFUL. INVINCIBLE #25: Normally the anniversary issue should be the "something big happens" issue.... but that doesn't mean just in the cliffhanger. Something big should happen in the course of the story. And, while I'm sure that seeing his childhood hero is all kinds of intense for Mark, it's pretty jaw droppingly dull for the audience -- we have no emotional connection to the occasionally-mentioned fiction inside the fiction. So, for the price and all, and I was pretty non-plussed by this issue. EH. JACK CROSS #1: "Now Terror Has Something to Fear"? How does terror fear? Wouldn't that be like "Now Pain Has Stubbed Its Toe"? Unobjectionable start to this new series, but it's also pretty uninspired, and I never have liked Erskine's art very much. I was also shocked by just for violent it was, being a "DC logo" book. I felt the same thing about the end of this week's GREEN LANTERN #4. I'd rather than level of gore was kept to other imprints, honestly. This issue was OK. OMAC PROJECT #5: The 1.3 million OMACs roughly matches the number of metahumans Max mentioned to Beetle in Countdown, by the way. Unstoppable menace, Deux Ex Sasha, that about covers it, right? She sure smells like Harbinger II, don't she, though? Still, if you take it for what it is, rather than what it is not, I thought this was adequately done and is somewhere on the low side of GOOD. TEEN TITANS #27: I just give you some Retail Intelligence, and leave it at that: Our first-weekend sell through is probably just over half of what it normally is. If DC had a Marvel-style FOC system, I'd be cutting next issue waaaaaaaaay back. I don't really have a PICK OF THE WEEK for this week -- other than our best-reviewed OMAC PROJECT #5, I also thought the not reviewed WALKING DEAD #21, but neither of those are exatly ringing endorsements, are they? PICK OF THE WEAK for 8/24 is easy: BATMAN #644 BOOK / TP for 8/24... huh, well best I can do ya is probably one of 2 reprint books: HANK KETCHAMS COMPLETE DENNISTHE MENACE 1951-1952 HC or LITTLE LULU VOL 5 LULU IN THEDOGHOUSE TP. Nothing less than 40 years old though, I am afraid. So, I know, I don't post in near a month and that's the best I can give you, huh? I'm going to *try* to squeeze 8/31 in as soon as I get enough comics read. What did you think? -B
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Honest to god I have reviews coming this week - they're half written already! Tomorrow, midafternoon, I'm guessing? 2000 AD #1449 2000 AD #1450 AMAZING SPIDER-MAN #523 AMELIA RULES #14 (RES) ASTONISHING X-MEN #12 ASTRO CITY THE DARK AGE #3 (OF 16) AUTUMN #4 BART SIMPSON COMICS #25 BATMAN GOTHAM KNIGHTS #68 BEOWULF #4 BETTY & VERONICA DOUBLE DIGEST #136 BODY BAGS FATHERS DAY #2 (OF 2) BPRD THE BLACK FLAME #1 (OF 6) CAPTAIN AMERICA #9 CATWOMAN #46 DAREDEVIL FATHER #2 (OF 5) DAWN THREE TIERS #6 (OF 6) DEATH JR #3 (OF 3) DOOM PATROL #15 ED THE HAPPY CLOWN #3 (OF 9) EMILY THE STRANGE #1 EX MACHINA #14 EXPATRIATE #3 FLASH #225 FORGOTTEN REALMS DARK ELF HOMELAND CVR A #3 (OF 3) FRESHMEN #2 (OF 6) GI JOE AMERICAS ELITE #3 GREEN LANTERN #4 GRIMOIRE #5 HERO CAMP #4 (OF 4) HERO SQUARED #2 (OF 3) HOAX #3 JLA CLASSIFIED #11 KHAN #1 LOSERS #27 MARVEL 1602 NEW WORLD #2 (OF 5) NEIL GAIMANS NEVERWHERE #3 (OF 9) NEW AVENGERS #9 NYC MECH BETA LOVE #3 OFFICIAL HANDBOOK ULTIMATE MARVEL UNIVERSE 2005 OR ELSE #3 POWERS BENDIS COVER #12 QUICKEN FORBIDDEN #13 REVELATIONS #1 (OF 6) ROBIN #141 RTA PERSONALITY CRISIS ONE SHOT RUNAWAYS #7 SEVEN SOLDIERS SHINING KNIGHT #4 (OF 4) SHADOWHAWK #4 SILENT DRAGON #2 (OF 6) SOLO #6 STAR WARS EMPIRE #33 SUPREME POWER #18 TEEN TITANS GO #22 TOM STRONG #34 TRAPDOOR SPIDERWOMAN #2 (A) USAGI YOJIMBO #86 VERONICA #164 WHA HUH (RES) WONDER WOMAN #220 X-MEN KITTY PRYDE SHADOW & FLAME #3 (OF 5) X-MEN THE END HEROES AND MARTYRS #6 (OF 6) YOUNG AVENGERS #6 Books / Mags / Stuff 106U #7 (A) 2020 VISIONS TP 30 DAYS OF NIGHT BLOODSUCKERSTALES VOL 1 TP BRODIES LAW TP CLOUDS ABOVE HC DESPERADOES BANNERS OF GOLD TP EARTH X HC EIGHTBALL LIKE A VELVET GLOVECAST IN IRON TP NEW PTG (O/A) ERIC REDS CONTAINMENT TP ESSENTIAL X-MEN VOL 6 TP FORTEAN TIMES OCT 05 #200 GUNDAM SEED VOL 5 GN (OF 5) JAPAN TP JUSTICE LEAGUE HAWKGIRL 4 INCH RESIN FIGURINE JUXTAPOZ SPECIAL #2 LITTLE SCROWLIE VOL 2 DAWN OFFASHION VICTIMS TP LOST DOGS VOL 1 GN LOVE AS A FOREIGN LANGUAGE #3 LOVE ROMA VOL 1 GN LUIS ROYO CONCEPTIONS VOL 3 HC NEAL ADAMS ROWDY AND BEAUTIFUL WOMEN SKETCHBOOK "PERSEPOLIS 2 STORY OF A RETURN SC (Man, Diamond sucks -- I've been selling this for going on 2 months now, already!)" RUROUNI KENSHIN VOL 18 TP SIZZLE #27 (A) SMOKE & GUNS GN STRANGE BEGINNINGS AND ENDINGS TP SUPERMAN BATMAN SER 1 PUBLIC ENEMIES MASTER ASST TOM STRONGS TERRIFIC TALES BOOK ONE TP ULTIMATES 2 VOL 1 GODS AND MONSTERS TP WIZARD COMICS MAGAZINE ALL STAR BATMAN CVR #168 What looks good to you? -B
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Dude. I’m getting married in three weeks! What does this mean for you, the SavCrit blog reader? Mainly, it means you should go see One Night in Mongkok at the Presidio Theatre because I can’t. Yes, my busy schedule means you must overcompensate for me, because that’s the kind of dysfunctional shell game I’m running here.
Also, it means that you’ll be getting reviews from me of the 8/31 books and maybe the 9/8 books and then I’ll be offline until mid-October. Since I can’t speak for Hibbs even a little, it may mean the site will lay fallow for a little while or, alternatively, maybe it won’t. But at least your eyes will get a break from all these red letters for a bit.
Which is why you should go see One Night in Mongkok—to celebrate!
As for the comix, I’m still a few books short (picked up that gorgeous looking Rocketo from last week but haven’t read it or Conan yet) but here’s what I thought about:
ADVENTURES OF SUPERMAN #643: I know Rucka was trying for something different, but Superman sorta came across as “Wait a minute, you can’t kill someone in cold blood! Hot blood? Sure! But cold-blooded murder? That’s inhuman!” I feel the weight of the plot hammer about to drop again… OK.
ANT #1: I’m a fool. As if the cover wasn’t bad enough, the “Dedicated to Todd McFarlane,” really should have given things away. This has McF’s “tell, tell, tell, until you get to the fight scene and then show, show, show” storytelling all over it, overwrought and intellectually desolate. It’s like early era Image all over again. Even supervillain mimes couldn’t save this one. Awful, more or less.
BANANA SUNDAY #2: I thought this was great. It’s like Coover and “Nibot” have reinvented Harvey Comics all over again—perfectly cartooned characters given perfect comic obsessions—except there’s extra wit in the dialogue, to boot. I hope they can sustain this long enough to get collections into the kids’ market. For an enjoyable all-ages (mostly--there's a bit of sexy talk) read, this is in the upper echelons of Very Good.
BATMAN #644: I’m a little late to the Internet garment-rending party, but I wholeheartedly agree with it. This was an intensely stupid story, all the moreso because it pointlessly wrecks a perfectly good character for no reason other than to sell a few more books. Hibbs went on about this at great lengths on Friday, so I bet you’ll see a review on Tuesday, and I’ll save all the good points for him. What I will say, since the Bat-team is so set on trying to create a working Millerish version of Batman but have only managed to catch the unlikeable asshat part: it’s not the media riffs; it’s not the sadistic villains; and it’s not the snark. Miller’s Batman only works if traditional positions of authority are irredeemably corrupt, either in the government (Dark Knight Returns) or the police force (Batman: Year One). Otherwise he just seems like a churlish dickhead. I’m going right to the Crap end of the scale here, because of the sheer waste involved. Very sad.
BLACK PANTHER #7: Yummy art plus a guest-star ass-kicker on the last few pages made this a highly OK read. Won’t make you swoon, but good art does go a long way, doesn’t it?
DAREDEVIL #76: Like Black Panther #7 only better: Alex Maleev’s art has improved so much during his run on this title, it’s daunting. It was able to sell me on the story even though I found myself a bit emotionally detached. It may be because I know this is the last (or, uh, next to last?) Bendis/Maleev storyline and I don’t feel like any of the Murdock-as-Kingpin material got explored at all (another reason the ninja demon baby storyline left me a little nonplussed). But I’d call it Good.
DAREDEVIL VS PUNISHER #3: Nice action setpieces, but the Stray Bullet type sequences and the superhero punch-‘em-ups are awkwardly jammed together. Hopefully, they cohere down the road in some other way than the villain-grabs-the-family-Frank-Castle-seems-emotionally-invested-in route one would expect. OK.
DAY OF VENGEANCE #5: Again, hopefully a book Hibbs will cover because he had some pretty sound points about its weaknesses. Me, I didn’t like any of it, really, but didn’t hate any of it either. Eh.
FANTASTIC FOUR #530: About as thin as the skin on a grape, but as a by-the-numbers FF story that lazily attempts to throw a bit more into the mix, OK.
HULK DESTRUCTION #2: Much better than last issue, in part because another artist does a lot of the flashback sequences. And David’s script is clever although, of course, occasionally too clever. A drastic improvement over the last issue (even with a page of dropped dialogue), but still only Eh, sadly.
JACK CROSS #1: Good setup and really keen art—in fact, the body language in the interrogation sequence was great. The main character is maybe a little underdeveloped for a first issue and I didn’t put this down feeling anything was particularly at stake, either for him or generally, but the talent involved guaranteed I’ll be back next issue to see if/how that changes. Good.
JSA CLASSIFIED #2: Without Amanda Conner’s art (and Johns loosening up his scripting style for the art) this really could have been a bore. But thanks to some terrific cartooning from Conner and the promise of a larger “I’s will be dotted!! T’s will be crossed!” payoff, I found this pretty Good.
LEGION OF SUPER HEROES #9: The art wasn’t terrible or anything, but without Kitson’s very clean pencils, I find myself overwhelmed by all the narrative detail. In short, I gave up about five pages in and didn’t finish it, so No Rating.
MARVEL KNIGHTS SPIDER-MAN #17: I think I’d rather read an FF book by Hudlin than a Spider-Man book—those scenes struck me as not bad at all. Eh.
MEGA MORPHS #2: If you want to break your brain, try to imagine a giant robot Spider-Man swinging on a web. From trees. My hats off to the creative team if they actually completed this job while sober. So hilariously Awful, I kinda enjoyed it.
OMAC PROJECT #5: So Batman’s ex-girlfriend is the new DC Deathlok? The idea of it makes me feel like Marcello at the end of La Dolce Vita: jaded, tired, cruel. A very low Eh, unless Sasha turns out to conveniently be the resolution to this issue’s cliffhanger, in which case I’ll retroactively drop it down to Awful.
SIMPSONS COMICS #109: Would ya believe it’s been almost two years since I’ve seen an episode of The Simpsons? So I may not be the best judge of these things any more, but I thought this was pretty damn funny. Why hasn’t anyone hired Ian Boothby to, I don’t know, ruin the Batbooks or something? Shouldn't work this good generate more work? Very Good.
TEEN TITANS #27: “And this is just my day job.” Oh, how that sloppy, awkward first page made me laugh and laugh and laugh. Hiring Rob Liefeld to draw comics is like hiring Mike Milken to manage your retirement funds, and yet it still happens. God bless you, comics! Awful.
WALKING DEAD #21: The ending more or less fizzled, but I actually preferred that to another “Dear God! Yet another surprise murder!” This book still has me hooked. Very Good.
WOLVERINE #31: As the Bard said, there’s a thin line between clever and stupid, and the end to the big fight struck precisely the right balance with me. The final pages seemed like a padded afterthought, but this was a satisfying wrap-up to a big, enjoyably dumb epic overall. Good.
PICK OF THE WEEK: Banana Sunday #2, because it was just a fun little read, and I’m a sucker for monkeys.
PICK OF THE WEAK: Not even close: Batman #644 stank up the joint, screwed the pooch, and broke a useful and important part of the Batman mythos. Yay, team!
TRADE PICK: Iron Wok Jan, Vol. 12. It’s been such a long time since the last volume, it took me a while to get into this. But around the time the demented Richie Rich character drove up two massive kitchen RVs so he and Jan could have a cooking streetfight, I was in love all over again.Labels: Jeff
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The Hibbs v Marvel settlement was entered into court yesterday, August 23rd, and has been served to Marvel as of today 8/24. A 30 day appeals window has now opened, where any members of the class who haven't opted-out may appeal the settlement. Presuming no one does that, Marvel has 30 days, beginning Friday September 23rd, to pay the settlement monies. Therefore, unless something strange and odd happens, all credit should be paid no later than Monday, October 24th. Marvel, of course, may choose to begin payments on "day #1" rather than "day #30". At a completely wild-ass, wholly uniformed guess that's based upon nothing whatsoever, timing of the payment might depend on whether Marvel wants the liability on thier books in the end of the 3rd quarter or the beginning of the 4th quarter. Either way, unless a member of the class appeals, credit should be issued between 9/23 and 10/24. -B
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Just because I am a big enough man to admit when I was wrong, I stumbled across a post in the Comic Book Industry Alliance boards from 3/2/01 where I said this about ULTIMATE SPIDER-MAN: >>>LONG TERM...I really really really don't think it will suceed. By the time it hits issue #50, how is it really going to be any different than the "real" Marvel universe, RE: the accretion of history? If it makes #100, I'll eat a bug.<<< While I do think the line has become SOMEwhat innaccessible now because of that accretion of history, I was clearly really really really wrong, and it seems all but inevitible that ULTIMATE SPIDER-MAN will, in fact, make it to #100. (Unless something were to happen to Bendis. And we wouldn't want that. No.) So, although I have a year-ish to go before the actual #100, I post this for 2 reasons: A) I know my memory, I WILL forget about this by then. You are now being pressed into Keeping Me Honest when that day comes. and B) I am entertaining suggestions for What Kind of Bug I should eat. My especial apologies to Brian Michael Bendis and Mark Bagely for doubting thier creative accumen, and to Joe Quesada and Bill Jemas for doubting thier marketing instincts. They were right, and I was wrong. **** Here's what is shipping in to Comix Experience this week: the usual cavaets about how this may or may not be similiar to what arrives in YOUR Local Comic Shop apply. Different Diamond warehouses recieve books at different times, there can be manufacturer error, maybe I fucked up and didn't order something I should have, etc. etc. ad infinitum. A G SUPER EROTIC ANTHOLOGY #18 (A) ADVENTURES OF SUPERMAN #643 ANGEL THE CURSE #3 (OF 5) ANT #1 ARCHIE & FRIENDS #94 ARCHIE DIGEST #219 BANANA SUNDAYS #2 (OF 4) BATMAN #644 BATMAN JEKYLL AND HYDE #5 (OF6) BATTLE POPE COLOR #2 BLACK PANTHER #7 CARTOON NETWORK BLOCK PARTY #12 CITY OF TOMORROW #5 (OF 6) CONAN #19 DAREDEVIL #76 DAREDEVIL VS PUNISHER #3 (OF 6) DAY OF VENGEANCE #5 (OF 6) FANTASTIC FOUR #530 GIFFENS WHAT WERE THEY THINKING ONE SHOT GLOOMCOOKIE #24 GOD THE DYSLEXIC DOG #3 GROUNDED #2 (OF 6) HELLBLAZER #211 HULK DESTRUCTION #2 (OF 4) INVINCIBLE #25 IRON GHOST #3 (OF 6) JACK CROSS #1 JSA CLASSIFIED #2 KNIGHTS OF THE DINNER TABLE #106 LEGION OF SUPER HEROES #9 LETHARGIC LAD JUMBO SIZED ANNUAL #3 LITTLE STAR #4 (OF 6) MACHINE TEEN #4 (OF 5) MARVEL KNIGHTS SPIDER-MAN #17 MEGA MORPHS #2 (OF 4) MONSTER WAR DARKNESS VS MR HYDE #4 (OF 4) MUTATION #2 NEW X-MEN #17 NIGHTCRAWLER #9 OMAC PROJECT #5 (OF 6) OTHERWORLD #6 (OF 12) PURGE BLACK RED & DEADLY #2 (OF 4) QUEEN & COUNTRY DECLASSIFIED VOL 3 #3 (OF 3) RISING STARS VOICES OF THE DEAD #3 (OF 6) SIMPSONS COMICS #109 SPELLBINDERS #6 (OF 6) STRANGE GIRL #3 SUPER MANGA BLAST #54 TEEN TITANS #27 ULTIMATE X-MEN ANNUAL #1 UNCLE SCROOGE #345 WALKING DEAD #21 WALT DISNEYS COMICS & STORIES #660 WOLVERINE #31 Books / Mags / Stuff AUTHORITY REVOLUTION BOOK 1 TP BATTLESTAR GALACTICA VOL 2 MEMORY MACHINE TP CATWOMAN WILD RIDE TP COMICS BUYERS GUIDE NOV 2005 #1610 COMICS JOURNAL #270 DAMPYR #5 UNDER THE STONE BRIDGE HANK KETCHAMS COMPLETE DENNISTHE MENACE 1951-1952 HC HISTORY OF VIOLENCE NEW TP NEW EDITION HOWLS MOVING CASTLE FILM COMICS VOL 1 TP ILLUSTRATION 05 MAGAZINE #1 IRON WOK JAN GN #12 (RES) LITTLE LULU VOL 5 LULU IN THEDOGHOUSE TP MARVEL VISIONARIES CHRIS CLAREMONT HC PREVIEWS VOL XV #9 (NET) ROBIN ARCHIVES VOL 1 HC ROCCO VARGAS WALKING WITH MONSTERS HC SHIRLEY A SEX COMEDY VOL 1 TP(A) SIN CITY VOL 1 DURO ADIOS HARD GOODBYE SPANISH ED SLOP ANACLETA TP SMOKE #3 (OF 3) SPIKE OLD TIMES ONE SHOT SUPERMAN THE MAN OF STEEL VOL4 TP VAMPIRE HUNTER D VOL 2 NOVEL RAISERS OF GALES SC WAR ON FLESH VOL 1 GN (OF 3) WESTERN GOTHIC BALLAD OF UTOPIA TP What looks good to you? -B (who should have reviews up sometime tomorrow, and thinks Jeff's "Topless version of Gremlins" line in his reviews this week (just below this message) was the funniest and most insightful thing I've read this week)
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Blah, blah, blah, busy…yadda, yadda, newsletter…yak, yak, yak, not nearly as many comics, etc.:
Oh, and new Tilting from Hibbs.
BALLAST ONE SHOT: On the plus side, this was a strong enough issue that I want to read issue #2. On the minus side, this is solicited as a one-shot, so who knows when we’ll see issue #2? As a hook to a series (a brutal hitman finds himself forced to do the Lord’s work), it’s very enjoyable. As a one-shot, it’s the first chapter of a book sold as a self-contained story. Which it’s not. So, as the latter, Eh.
BATGIRL #67: Except for the apparently-standard “let me greet you by trying to kick your head off” scene, I liked this. The Bat-family has become a confoundingly large constellation of individuals, but there are times when that pays off, like in the scenes between Barbara and Cassandra here. Exasperations with previous parts of the storyline keep me from rating this Good, so let’s go with a very high OK.
BATMAN JOURNEY INTO KNIGHT #1: Tan Eng Huat’s work is a little more subdued than I remember it, but it suits the story well, and by setting the story early in Batman’s career, Helfer’s witty dialogue doesn’t cut against the grain of the milieu as much as it might. Not a showstopper, but a relatively enjoyable read. Also a high OK.
BIRDS OF PREY #85: The team on this clicks more and more each issue, and I thought this ish was a particularly good read…while I was reading it. But afterward, I felt like it didn’t hold together very well. What’s the point in having a fight with honor if you’re going to cheat? For that matter, if you’re going to cheat, why don’t you just have your buddy Green Lantern come by and sweep all your vicious killer opponents to jail? (A point reinforced by all the superheroes on every other page of the book.) Rather than go for the conflicted Good, lemme once again chicken out with a high OK.
DEFENDERS #2: Although it’s got pages and pages of witty banter, there’s still the sense that something is at stake here and I appreciate that. And if you had to pick a team to turn into a bunch of self-absorbed bickerers, the original Defenders is a pretty good choice. I wouldn’t want every book on the stands to read like it, but I’d call this Good if you have a fondness for the characters.
DETECTIVE COMICS #810: If you were the new crime lord of Gotham, would you dress up as Batman to try and discredit him? I failed my saving throw against suspension of disbelief. Toss in a back-up story gruesome enough to make me search the book for a comics code seal (did DC abandon that, too?) and I guess I’d call this Awful.
GI JOE SNAKE-EYES DECLASSIFIED #1: I read this because, although I have a slight fondness for Snake-Eyes, I don’t really have any sort of emotional investment: hell, make him a former loud-mouthed draft dodger turned silent ninja type if you want, I don’t care. But although the script here avoids any such dynamic reversals, it seems pretty lacking in any dynamism whatsoever. As was the case with Boba Fett, some silent types are better off without any origin whatsoever. Eh.
GIRLS #4: I guess I’m just going to have to accept I’m not getting what I want from this mini and move on. I admire the Luna Brothers for trying something so different from their last project but, four issues in, it reads like a topless version of Gremlins. If something particularly interesting comes from this, I might write about it again, otherwise this disconsolate Eh will probably be my last word on the subject.
GODLAND #2: Making the bad guy a cosmic druggie was funny and, as with last issue, that Kirbyish art really scratched an itch. My hope is the creators can walk that fine line between having fun with the material and making fun of the material. Good.
GREEN LANTERN #3: It’s got explosions and robots and fighter jets and deadlines and superheroes robbed of their powers…so why so dull? Maybe it’s not, maybe it’s just me. But the issue felt less than organic, as if Johns had carefully constructed it to correct for years and years of “wuss Hal.” And there’s nothing wrong with careful construction, Lord knows, but it felt so calculated as to be pat, and pretty unengaging. For me, anyway, this was in the lowish OK range.
LEX LUTHOR MAN OF STEEL #5: Some of the art on this miniseries was terrific and I appreciated that Azzarello’s wordplay strove to do more than call attention to its own cleverness…but I was also pretty lost a good chunk of the time: do the events in the miniseries allude to other Superman stories? Because they seem so heavily truncated as to not stand on their own here, which gave this issue, in particular, a very “glass half-empty” feel. Despite all the talent, I’ll go with Eh.
LIVEWIRES #6: I guess I should feel pleased with myself for figuring out where Warren was going with this ahead of time, but instead it just kinda points out how lackluster the whole miniseries has been. Clever and had lots of the ol’ splodey, but the emotional side of it didn’t work and the end just kinda lies there like a sick dog. Maybe it’ll read great as a trade, but it was a very disappointing Eh to me.
SEVEN SOLDIERS KLARION THE WITCH BOY #3: Ahhhh. That’s the stuff. This issue read like, I dunno, a Goth version of Disney’s Pinocchio or something, and I thought it was great. Nothing more to say here but Very Good.
TOP TEN BEYOND THE FARTHEST PRECINCT #1: Unfortunately, my artsy-fartsy lit snob thing will doubtlessly cloud my critical judgment here: any writer who’s gonna use the first sentence of Gravity’s Rainbow as an issue title is going to get something like a free pass from me. True, it’s not as deep as the first mini, but Ordway does a great job planting all those lovely visual puns in every panel, De Filippo has smarts and wit to spare, and I was happy to see these characters again—I’m fond of them. There’s some real problems with storytelling—confusion as to who’s speaking and the transitions between scenes in particular—but nothing critical. I liked this a lot more than I thought I would, errors and all. Good.
ULTIMATE SPIDER-MAN ANNUAL #1: Dang, I totally forgot to read this at the store. Was it any good?
PICK OF THE WEEK: No reason you should take my word for it since I read so little, but Seven Soldiers Klarion The Witch Boy #3 was the best of the batch as far as I’m concerned.
PICK OF THE WEAK: Unsurprisingly, Detective Comics #810. “Gee, Al, that Elliott Ness is really hot on your trail!” “You’re right, Johnny! I better dress up like him and discredit him! Much easier than getting you to do it!”
TRADE OF THE WEEK: Would that it would have been Chynna Clugston’s Queen Bee, but I thought the first 30 pages or so were so amateurish (wayyyyyyyy too much telling, not nearly enough showing) I was really disappointed—I’m assuming there were deadline problems or something because this wasn’t up to Clugston’s usual standard of work at all.
It didn’t come out this week, but I took home the ineffably strange Pure Trance by Junko Mizuno. It is blowing my tiny mind.Labels: Jeff
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I am running behind. As I think I mentioned in a previous post or two, I did not read a lot of comix Friday. In fact, when planning out this entry yesterday at lunch, I realized that there were books I still hadn't read, despite the fact I had, you know, bought 'em and stuff.
So up I was at the crack of dawn...to read comix. The following reviews are probably tilted toward the "Ooo, look pretty" side of the spectrum as a result. Unless I read them on Friday, in which case there will be a distinct "Uhhh...what happened again?" bias. This is comic book reviewing as it is meant to be practiced, my friends: hastily and inadequately. Let's hop to.
ACTION COMICS #830: I liked that classic cover, and having Dr. Psycho run around calling himself Nietzsche was very fun (having Byrne draw him as a pint-sized version was even more fun). Fun banter, fun ideas, fun, fun, fun. Of course, you have to be reading at least four other comics to be enjoying any of the fun, but that's pretty much the way with DC these days, isn't it? If you're plugged in to all the DC x-overs, you'll also find it Good.
BATMAN #643: For a few minutes, this book had me deeply embarrassed: had all my bitching about Batman being out of character in last week's Detective been in vain? Had that really been the actions of the duplicate Batman found on the first few pages of this book and I'd fallen for a switcheroo? After re-reading Detective, I decided I had not been fooled and the whole second Batman stuff was just Bill Willingham deciding that the storyline wasn't chaotic enough in the first place. Anyway, after that, I don't remember much of anything (it's a Friday book, can you tell?) except the Alfred-Batman batcave dialogue felt especially strained (it must be tough writing variations on the same scene over and over and over), something like, "You know, Master Bruce, maybe if you weren't being such a passive-aggressive dickhead..." "Alfred, when I want your opinion, I'll give it to you. Old Friend." Infinite Crisis better change something up, or these scenes are going to read like Glengarry Glen Batcave in about six months. Eh.
GRAVITY #3: Ah yes, the issue where our young hero grows disillusioned and turns his back on superheroing except, oddly, I found myself hoping that he continues to stay gone and this turns into a very lovely little Felicity-style romance comic. I'm much more interested in the characters than the bang-and-smash. OK.
GREEN ARROW #53: Yay, it's Bill Messner-Loebs writing! Unfortunately, it was really boring. But! That should not stop the DC editors from giving the man more work. If nothing else, I enjoyed this more than Batman #643. Put the guy back on Flash or something. Eh.
HAWKMAN #43: I think I know where this story is going, but that's not a bad thing: if it was running directly in the direction it seemed to be, I'd be pretty cranky and annoyed. Still, since this title tends to suffer from "Why am I reading this, again?" syndrome (and has since before the current creative team started in), I'm not sure if people are going to hang out and wait to see how it all pans out. OK.
HOUSE OF M #5: Hibbs quite liked this, and I really didn't. Admittedly, part of me not liking it was predicated on forgetting this was an eight issue mini, and getting annoyed that five issues had been spent gathering the heroes and next issue was the big wrap up (and then being very embarrassed once Hibbs corrected me). It's OK, I guess, but I almost found myself wishing the heroes were actually split on their course of action--someone like Spider-Man choosing to fight to protect Magneto would actually be kind of justified here--even though the part I liked most about this issue was the lack of hesitation in the heroes deciding to do what was right.
INCREDIBLE HULK #85: The art on this looked almost coloring-book crude at some points. It's still a fun little read, if I remember correctly. A high OK.
IRON MAN #4: If this had come out all at once as an OGN, I might be shitting myself over its coolness. But there's just not enough of it to be sure, and it doesn't feel like a substantial enough read on its own. Low side of Eh.
JLA #117: Anyone else feel like there's some sort of bait-and-switch going on here? On the cover: "This issue, Superman finds out!" Inside: "No, I knew that already. Batman told me." Just think if they had approached the Silver Age books that way: "This issue, A Story You Never Thought You'd Read: Lex Luthor Joins The Justice League!" And inside: "Hmmm. Lex Luthor's mail keeps getting delivered to Justice League headquarters. We'll have to speak to the postman about that. Now, back to that freaky Star Sapphire chick..." Eh.
MEGA MORPHS #1: You know, if one does pick up the first issue of a "Marvel Super Heroes in Giant Robots fighting Marvel Super Villains in Giant Robots" comic, the main thing you want to know is: how and why did they get in those damn giant robots? And when the answer is an editor's note saying, "See the six issues packed in the Mega Morph toys on sale now!" The whole endeavor brutally crashes and burns below even the already lowered expectations one had set. Sean McKeever does his best though (in fact, tries a little too hard in places) and, merch screwing aside, I guess you could say this was OK for what it was. But factor in the "to get the complete story, spend an extra thirty bucks on the toys" and I'll drop it down to Awful.
NIGHTWING #111: The Shrew did a spot-on review of Nightwing #109 a while back and it really nails why this arc isn't working. It's not just the whole Dick-Grayson-going-undercover-as-Dick-Grayson thing (although that really, really makes this all pretty nonsensical), it's that, as The Shrew wittily put it, everyone wants Dick. It's taken as a priori by the writer, to the point where a sixteen year old Mafia princess is writing love letters to Nightwing, and breaking pictures of his girlfriend and, and...huh? I don't mind romantic melodrama--I very much liked the little triangle between Nightwing and Batgirl and Dick's police partner--but there was no development here, just us being told over and over that Sophia (or, uh, Sonia?) loves him, and being shown over and over that she loves him, but never being shown, you know, why. And we'll never get shown, of course, because of that whole a priori thing. In a perfect world, Devin Grayson would be writing volumes of Nightwing manga for CMX and get the time and the space to develop the romantic melodrama as fully as she wants (and, with manga, the tools to convey sudden infatuation), but Nightwing #111 shows that we are a long, long way from a perfect world. A low Eh.
SEVEN SOLDIERS ZATANNA #3: G-Mo throws in a few oblique references to the whole Identity Crisis fiasco, but even more impressively, weaves the story here even more closely to the stories in his other Seven Soldiers tales (and maybe his JLA: Classified story? I can't quite tell.) without making it imperative to know those stories for it to have an effect. Admittedly, part of the way he succeeds in doing that is by making each of the Seven Soldiers minis very episodic, strewn with casual wonders, so no piece seems more important than any other, but I still like it much more than, say, The OMAC Project approach. This mini has been very slow to click with me (and next issue is the last?) but I really enjoyed this issue a lot. A very high OK.
SHANNA THE SHE DEVIL #7: Oh, that ending was a big pile of lame chickenshit. "And after that, they all lived happily ever after, in their diseased, dinosaur-trodden Nazi-infested hidden land. The End." LAME. And Awful.
SUPERGIRL #1: What impresses me about Jeph Loeb is that once he sets out to do something, he doesn't let a little thing like doing it well get in his way. An introductory issue that's almost twenty-two pages of non-stop fighting, with guest stars, and also a summation of Supergirl's origin and major conflicts, along with a developing subplot? No problem! Just throw in malfunctioning powers, the entire JSA trying to stop Solomon Grundy from beating up a forest, don't explain a thing, and voila! Instant collectors' item! I thought it lacked that mysterious fun factor Superman/Batman usually has, but that could be because the formula seemed pretty blatant and because this worked harder to be "serious." Eh.
TRUE STORY SWEAR TO GOD #14: Hmm. I enjoyed this quite a lot, and thought it was a perfect capper to the plot of Tom being unhappy in P.R. And yet, I have to admit, I totally skimmed Lili's final speech, presented as it was in thick blocks of text. The fact the issue worked for me even though I didn't bother with the emotional climax of the story is potentially troubling, I think, but I can't get my tired little brain to parse out why. Good.
ULTIMATES ANNUAL #1: Quite smartly, Millar treats this as just an extra issue of Ultimates with the smallest number of pages utilized to make it seem like a stand-alone story as possible. Steve Dillon isn't nearly as good as Hitch with the widescreen action, but he fakes it okay. Good.
ULTIMATE FANTASTIC FOUR #22: Oh, Mark. The fake-out was pretty good, but the whole "superheroes-turned-into-vampire-zombies-from-outer-space"? Did Mansquito not lend itself to easy comic book cut and pasting? Very disappointing. Eh.
VILLAINS UNITED #4: Again, Simone's Dr. Psycho for the win. I can't say I was too overwhelmed by anything else here, other than the realization that the Clown is a guy. I don't know why I thought the Clown was a chick but that shows you how keen my reading skills are. OK.
PICK OF THE WEEK: Geez, I dunno. Ultimates Annual #1?
PICK OF THE WEAK: Shanna #7. If I never read the oath "Holy Buckets!" again, it will be one day too soon.
TRADE OF THE WEEK: Remember that promised essay about Alex Robinson's Tricked? This will not be it. Damn shame too, since Tricked, perhaps even more than Box Office Poison, really challenges my perception of what I want from a graphic novel. Until I do write that essay (and it's gonna be a while since I've got the newsletter hanging over my head this week), why don't I just go with Finder, Vol. 7: The Rescuers? I just cracked it open this morning, but I'm already swoony with affection for it.Labels: Jeff
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Kind of a small week this week -- maybe this will help people get all caught up, then. A G SUPER EROTIC ANTHOLOGY #17 ARANA HEART OF THE SPIDER #7 ATOMIKA #4 AUTHORITY REVOLUTION #11 (OF 12) BALLAST ONE SHOT BATGIRL #67 BATMAN JOURNEY INTO KNIGHT #1(OF 12) BATMAN STRIKES #12 BETTY & VERONICA DIGEST #159 BETTY & VERONICA SPECTACULAR #71 BIRDS OF PREY #85 BLADE OF THE IMMORTAL #104 BONE REST #2 BOOKS OF MAGICK LIFE DURING WARTIME #13 BRIAN PULIDOS MEDIEVAL LADY DEATH WRAPAROUND #6 CABLE DEADPOOL #18 DEFENDERS #2 (OF 5) DETECTIVE COMICS #810 DEVILS REJECTS #1 DONALD DUCK AND FRIENDS #331 DRAGONLANCE CHRONICLES #1 (OF8) GENIE #2 GI JOE SNAKE-EYES DECLASSIFIED #1 GI SPY SAVING LADY LIBERTY CVR #1 (OF 3) GIRLS #4 GODLAND #2 GREEN LANTERN #3 HUMAN RACE #6 (OF 7) HUNGER #3 JUGHEADS DOUBLE DIGEST #115 LEX LUTHOR MAN OF STEEL #5 (OF 5) LITTLE GLOOMYS SUPER SCARY MONSTER SHOW #1 LIVEWIRES #6 (OF 6) LUCIFER #65 MAN WITH THE SCREAMING BRAIN #4 (OF 4) MANHUNTER #13 MARVEL ADVENTURES FANTASTIC FOUR #3 MARVEL KNIGHTS 4 #21 MARVEL MILESTONES CAPTAIN BRITAIN PSYLOCKE GOLDEN AGE SUB METAL GEAR SOLID #12 MICKEY MOUSE AND FRIENDS #280 MUTOPIA X #2 (OF 5) NEW THUNDERBOLTS #11 NEW X-MEN HELLIONS #4 (OF 4) OF BITTER SOULS #1 PIRATE CLUB #7 POWERPUFF GIRLS #65 REX LIBRIS #1 ROCKETO #1 SEVEN SOLDIERS KLARION THE WITCH BOY #3 (OF 4) SILVER COMICS #4 SMALL GODS #10 SPAWN #148 SPIDER-MAN HOUSE OF M #3 (OF 5) STAR WARS GENERAL GRIEVOUS #4(OF 4) TOP TEN BEYOND THE FARTHEST PRECINCT #1 (OF 5) ULTIMATE SPIDER-MAN ANNUAL #1 ULTIMATE X-MEN #62 WEAPON X DAYS OF FUTURE NOW #2 (OF 5) WITCHBLADE #88 Books / Mags / Stuff ASIAN CULT CINEMA #47 DAREDEVIL VOL 4 HC DONT TREAD ON MY ROSARIES HIPIRA THE LITTLE VAMPIRE HC HUMOR CAN BE FUNNY TP ILLUSTRATED HISTORY OF UNION COUNTY TP INCREDIBLES TP JSA VOL 9 LOST TP LORNA DART-AN-GOR BY AZPIRI HC MARK SCHULTZ VARIOUS DRAWINGSVOL 1 SC MAXX BOOK FIVE TP NOBLE CAUSES VOL 4 BLOOD & WATER TP POWER PACK DIGEST TP QUEEN BEE SC RABBIS CAT GN SESAME STREET CINEMANGA VOL 1ELMO & ZOE FLY A KITE GN STORMBREAKER SAGA OF BETA RAYBILL TP SUPERMAN FOR TOMORROW VOL 2 HC SWAMP THING BOOK 2 LOVE IN VAIN TP TERRA OBSCURA VOL 2 TP TOMARTS ACTION FIGURE DIGEST #137 WOLVERINE SOULTAKER TP What looks good to you? -B
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Essentially, it was an awesome garage sale. Admittedly, you have to kind of stretch your definition of awesome to include "cold, drizzly, and underserved by foot traffic," but if you can, then yeah, it was awesome. Blessed be to Hibbs for letting me advertise the sale here and at the store--the bulk of the people who showed up were CE customers and subs who totally bowled over Edi with how funny, polite and kind they were. Most of them seemed pretty pleased with their purchases, to the point of more or less apologizing for robbing me blind by buying so many comic books and stuff at such low prices, but I was really happy to move some stuff and see people happy at getting a good deal. (As I've said, a comic store run by me would be out of business in six months.) Randy asked in a previous thread if the parting process was painful, but that all took place before I put stuff out to be sold. Once I did, I only wanted to see it gone (with the exception of my copy of The Megalomaniacal Spider-Man, which Sam convinced me to keep).
The general foot traffic totally sucked, though: not only was it a horribly cold day that threatened to rain more than once in the first few hours, but considering it was supposed to be a hillwide garage sale day for Bernal Heights, there was nobody. I actually did better business with people walking their dogs at 9:00 a.m. than I did through registering through the neighborhood center for this community event. And I found out later that Cortland, the main street of Bernal, was apparently the place to be, with dealers staking out big sections of sidewalk and hawking their wares, and customers skipping from dealer to dealer with money all but falling out of their pockets. All that careful assembly of sets to appeal to the non-comics reader? Basically wasted. Grrr.
But, to get back to the point, I sold at least 1200 comics, half a dozen complete sets, about forty to fifty graphic novels, and cleared away four longboxes, thanks to Joel, Josh, their buddy who had worked all night (Chris, maybe?), Frank (the only one who showed up with a car and cleared away a longbox and a half all by himself), Robson, Sam, Brian, the Hibbs familia, and a couple of great passerby. This leaves me pretty well situated to try moving some stuff through Ebay after the wedding and the holidays and stuff.
Okay, work is a bit crazy today. Let's see if I can get out any reviews of something at some point...Labels: Jeff
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Because tomorrow is the big sale, and at the moment I'm trying to figure out if I should put prices on some of these odds and ends, like memory cards and stuff, or if that's just dumb. I'm really, really glad there are people like Hibbs who can do what they do, because if I was running a comic book store? It'd make it maybe a year, tops. I mean, I was glad to spend three bucks on the seventh issue of Shanna so I can now bag it with the other issues and sell the whole set tomorrow for six bucks. That's a hard thing to type knowing Brian is going to fall off his chair laughing when he reads it, but it's true.
Another step I'm taking to make sure the whole realm of financial dumb-assedness is covered are trade paperbacks. I'm not actually selling that many of them, between fifty and sixty tops, but I'm pricing them at $3.00 apiece or 5 for $10. Some of this includes manga I didn't much care for (seeya, Heat Guy J!) but also some that I dearly love (seeya, first two volumes of Tezuka's Black Jack!), as well as stuff like Swamp Thing: Love and Death, Flash: The Death of Barry Allen, two different Jim Mahfood Grrl Scouts trades, Jack Staff, Stray Bullets, and others. I'm trying to make a garage sale that I've always wanted to go to and, apart from that one where I bought a hardcover first volume of Love & Rockets for a dollar, never have. Hopefully, some of you will want to attend as well.
Okay. So for the last time: This Saturday, the 13th, from 9:00 to 5:00 at 3225 Folsom Street, 94110. Edi said the tiny URL (http://tinyurl.com/bevxq) of the googlemap was inexact but it's still working fine for me. I planned out the trip on Muni through 511.org and you can see that list of what Bart and Muni busses to catch at http://tinyurl.com/7779k. In an earlier comments thread, pal Dave Robson also suggested either catching the J Church to Cesar Chavez and then hiking or bussing his way along that to Folsom, or catching the 22 to Folsom and then catching the 12. He says that should work, and I have no reason to doubt him.
Reviews on my end may be spotty but I figure I'll post something by Monday morning. I spent most of the day reading Alex Robinson's Tricked and maybe I'll be able to say a thing or two about my reaction to it then. But mainly I hope to be hanging out and selling comic books, and I hope I'll see some of you tomorrow.
And as I said previously, you can write me at pig.latin AT gmail.com if you have any questions you don't want to leave in comments.
Thanks and have a good weekend!Labels: Jeff
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Sorry to interupt Jeff's "Please buy my shit so Edi doesn't eat my liver!" posts, but some good news here. As I mentioned already, the former Judge of the Marvel Class Action suit went bug-fuck insane and recused himself after the Appeal (Appellate? The law confuses me!) court told him he had to approve the Settlement Well, we got a NEW Judge, Judge Khan (And dig, I get this image in my head of Bill Jemas shaking his fist at the sky, screaming, "KHHHHHHHAAAAANNNNNN!!!!") (I'm doing the obvious joke, so you don't have to) Annnnnyway, Judge Khan signed off on the Settlement on Tuesday, 8/9, so we're basically a "done deal" Apparantly, the Settlement needs to be "entered" in the court (or something like that) -- basically, just the paperwork being routed whereever it needs to be in The System. "How long will that take?" I asked. "Not sure" came the response -- apparantly it usually just takes a couple of days, but could be 4-6 weeks if the wrong person is on vacation or something. I was told to expect "about a week" Once the Settlement has been "entered", then it needs to be "Served" to Marvel, but my lawyers indicate that they beleive that will be 24 hours from being entered, maybe within an hour or two (it is a short cab ride between legal offices!) Once those two things are done there will be a 30 day period where the Settlement can be contested (by whom or what, I'm not sure, since both Marvel AND the Class have agreed on the Settlement). Once THAT period is finished, then Marvel has up to 30 days to pay the Class members. With any luck, they won't take the whole 30, but they do have the option. So, if we were to pretend that the Settlement will be "entered" tomorrow, 8/12, and served on Monday, 8/15, then the 30 days to contest the Settlement would end on 9/15, and Marvel would have to make all payments in full by.... well, 10/15 is a Saturday, so Monday, 10/17. And, I suspect that "making payment" means "telling Diamond", and Diamond runs invoices on the weekend, so if they told Diamond on 10/17, the credits wouldn't show up until 10/26 invoicing. Marvel could make it before, if they so choose, of course, and I hope they release the credits on day #1 (9/16, in this example), instead of day #30. I doubt that will happen, though :) So that's what would happen if the Settlement were to be "entered" tomorrow -- the dates roll forward to when it ends up being "entered". Still, I feel pretty darn confident in saying that this will be 100% done with by Thanksgiving, at the outside, and it's possible it will be done before Halloween. Hooray an' shit! -B
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Yes, another one. Don't worry. By Saturday night, this will all be over.
So more cling-wrapping for sets, but I also decided to follow Hibbs' advice. He said if I wanted to guarantee that the stuff moves I should mark it ten for a buck. I kinda didn't want to do that considering the money I've spent on this stuff over time but then again, I want to sell it on Ebay even less. So I do hope some of you are planning on stopping by, because the post office's loss is your gain. I've got over seven long boxes of comics that are a dime apiece, and I think it's a pleasing mix of good, bad and indescribable. Those of you who remember how little I liked Mark Millar's run on MK Spider-Man, for example, will be pleased to know I'm selling all twelve issues of that for a dime apiece; a very large number of Waid's Fantastic Four and JMS's Amazing Spider-Man are in there, as is stuff I quite like but have replaced with trades, like Reload and Ministry of Space by Ellis, Ennis issues of Hellblazer, Fables, Boneyard, Age of Bronze, and a lot, lot more.
I also have a weird mix of older comix, not in mint condition or anything, but still well worth more than a dime, including an issue of Kirby's OMAC, Uncanny X-Men issues from around #175, a few obscure 100 page giants, that Baxter paper collection of Kirby's New Gods from the early '80s, a smattering of Master of Kung-Fu, and a oddly large number of issues of Spider-Woman.
After deciding to do the dime longboxes, I'm now worried that the sets are overpriced although they're mainly to appeal to people who want a complete story or set of stories in pack, which is why I'm selling the entire run of Burns' Black Hole for $10(!, if I do say so myself), the entire run of Global Frequency for $6.00, and the first two Blue Monday minis (plus one-shots) for $4.00. I've got more sets to make this evening (and probably tomorrow after work) but a lot of them are loose aggregations of Simpsons comics, or other things local parents might buy for their kids, and a few more things I'm trying to work out.
The two problem sets, both pricing and packaging, are the entire run of Grant Morrison's Doom Patrol, and Knights of the Dinner Table #46-104. I have no idea how to price them, and no idea, because of their size, how to package them. If you have any idea particularly as to a good price point, leave 'em in the comments.
God. With each sentence of this entry, I'm realizing there is not enough beer in the house to get all this done.
So there you have it. this Saturday, the 13th, from 9:00 to 5:00 at 3225 Folsom Street, 94110. Edi said the tiny URL (http://tinyurl.com/bevxq) of the googlemap was inexact but it works fine for me and I'm wondering if it's because she's using Safari as her browser. I planned out the trip on Muni through 511.org and you can see that list of what Bart and Muni busses to catch at http://tinyurl.com/7779k. And as I said previously, you can write me at pig.latin AT gmail.com if you have any questions you don't want to leave in comments.
Okay. Off to do something about that beer situation....Labels: Jeff
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The battle with cling wrap continues...or will be, shortly. It's already past two and I've pissed most of the day away watching G.I. Samurai (an old fave I just discovered was on DVD last night) and The Wicker Man, an old copy of which I discovered digging through my stuff. A great double-feature, but it doesn't bind up the ol' JLA/Avengers miniseries in cling wrap, unfortunately....
Anyway, what follows is the text that I posted to the garage sale section of Craigslist just now. Fortunately I can do stuff here that I couldn't or wouldn't on Craigslist and can give you both a tinyURL for the googlemaps location of the sale, and an email address in case you have any questions. I hope if you're in S.F. that day you'll think about coming by--I'm really trying to get rid of a lot of stuff and I'm throwing in some great loss leaders (if you ever wanted to boast about buying a Criterion DVD for less than $10, this would be your chance):
Comics! Toys! Video Games!
All the stuff that makes life worth living—is being sold off at Jeff Lester's garage sale!
Come 'round 3225 Folsom (Two blocks up the hill from Cesar Chavez) on Saturday August 13th from 9:00 a.m. to 5:00 p.m. to help make room for a new life of marital bliss.
Perfect condition PS2 games for $7! Mint on Card action figures for $4! Hellboy and Grendel action figures $5, mint on card! Godzilla playsets for $2! True Crime Cards! Sin City lunchbox for $4! A complete run of Grant Morrison's Doom Patrol—for less than cover price! Sets of: Bendis' Daredevil! Simpsons Comics! An entire run of New Avengers for less than half cover! Real Kirby! Faux Kirby And (God help me) hundreds more!
Where: 3225 Folsom (off Cesar Chavez) Google map at: http://tinyurl.com/bevxq
When: Saturday, August 13th 9:00a.m.-5:00 p.m.
A portion of the proceeds will be donated to the Bernal Heights Neighborhood Center.
Questions? Feel free to email me at pig.latin AT gmail.com
See you there!!Labels: Jeff
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It has been a crazy week – lots of it revolving around Ben (We need some more recent pics up, don’t we? One more thing to add to the “To Do” list!) His language skills seem to have doubled this week – not only is he starting to assay 3 syllable words, he’s also starting stringing words together to form simple sentences – “Bye bye, momma!” or “Airplane fly!”. He even busted out with a string of “Ub bub wa so-hi!”, which of course, is “Up above the world so high” from Twinkle, Twinkle Little Star. So, something is clearly cooking in his head, which is probably why he’s suddenly decided he doesn’t need naps any longer. 2 days this week (and one last) he flatly refused to go nap. This is bad because 1) little guys need their sleep, and he gets progressive more insane and wonky as the day slips by, and 2) because, up until now we’re scheduled our day AROUND his naps – working when he’s asleep, planning when and where to go based on his sleep, and all of that is out of the window now. I feel like we’re back to where he was when he was 3 months old, y’know? Trying desperately to eke out 5 minutes of work between his needs. I honestly don’t understand how people with more than one kid handle it. But, he’s a rocker, yes he is. Anyway, back to Alpha-Smart on the counter, seeing what I can bang out before the truck shows up… DETECTIVE COMICS #809: Part 1 of “War Crimes”, and, ouch, based on first week sales, it’s a bomb – less than a 50% sell through, owies. What’s worse is how totally, frustratingly they’ve screwed Batman into the ground. Now they’ve got him altering crime scenes to save his weaselly ass. I mean, what? I’m not a cop or a crime scene investigator or anything, and even I know that the wound patterns from a “batarang” are going to be different than that from a kitchen knife! So, here we have a Batman not only covering up something he didn’t do, but making it HARDER for the legitimate police to do a thing. Gah! This is just plain CRAP GOTHAM CENTRAL #34: and so I really want to see these cops solve some crimes DESPITE Bat’s interference. I want to see them kick his damn ass for being a colossal fuck up. I really liked this issue, and the use of the primary colored characters in the muted-grey world of Gotham. As terrific as DETECTIVE is tragic. VERY GOOD. AQUAMAN #33: I get hives anytime it swings back to Atlantis, so this wasn’t my favorite issue – although seeing Mera again is always nice. OK BLOOD OF THE DEMON #6: I wonder if the series will last long enough to answer some of the questions it has been posing – we’re six issues into the “healing flames” thing, but it’s been noting but subplots so far. There’s a lotta jibber-jabber in here, and a sense that it isn’t actually happening in the same world as the rest of the “Infinite Crisis” stuff, but there are ideas and beats that I like quite a bit (like the bullet “eater”) Question, though: what happened to Jason’s hand magically regrowing with no comment? Did Byrne just forget? A strong OK FIRESTORM #16: Seems like a nice way to get “the Professor” back into the mix while leaving things nicely open. As far as second-tier supers go, this is one of the better books on the stands these days. A low GOOD. JSA #76: I’m getting super-sick of the “OMACs” showing up, not achieving anything, then bailing – such a lazy crutch yielding plenty of “Red Sky” action. Between the incessant crossing over and the unneeded spin off book, I’m giving serious consideration to personally dropping JSA. And I’ve been a JSA fan longer than some of you have been alive, living through the “No one wants to read about them” regimes at DC. Pretty meh stuff here – EH. JUSTICE #1: Looks damn pretty (and sold like a MONSTER), but I was pretty bored by the half-an-issue of dream sequences. Knock-out looking, mediocre reading. A strong OK. SERENITY #2: Yeah, big time fun here, even for people like me who have bare passing familiarity with the original. Selling stupidly well, too. Man, can you believe that Warp 1/Nathan Fillion flap? While I’m wholly against marking up “hot” comics for the short buck, I gotta tell you, anyone who tried the “Don’t you know who I am?!?” trick on me would be bounced out of my store right fucking quick. Also “I’ll never shop here again” is pretty meaningless if you’ve never shopped there BEFORE, just so you “Brownshirts” know. Just because someone is being an asshat, don’t give you the right to be an asshat on your own, dig me? Shit, truck’s here…. No time to question the Soul-Vision ™ in Superman, or tell you just how fucking good TOP TEN; THE FORTY-NINERS is. That’s our PICK OF THE WEEK and GN/TP OF THE WEEK all rolled into one, and I don’t care if you think that is cheating! Anyway, what did you think? -B
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Yikes, yet another big big week! 100 BULLETS #63 2000 AD #1447 2000 AD #1448 A G SUPER EROTIC ANTHOLOGY #16 (A) ACTION COMICS #830 BATMAN #643 BATMAN LEGENDS OF THE DARK KNIGHT #194 BETTY #149 BETTY & VERONICA #211 BREACH #8 CANTON KID #2 (OF 4) CAPTAIN AMERICA #8 CITY OF HEROES #4 EASY WAY #4 (OF 4) ELKS RUN VOL 1 #3 EXILES #68 FABLES #40 FATHOM #3 FEED AMERICAS CHILDREN FEATURING MAJOR IMPACT #1 FERRO CITY #1 FRAGILE PROPHET #1 (OF 4) GRAVITY #3 (OF 5) GREEN ARROW #53 HAWKMAN #43 HELL MICHIGAN #2 HERO AT LARGE #1 HIROSHIMA THE ATOMIC HOLOCAUST #1 (OF 2) HOUSE OF M #5 (OF 8) INCREDIBLE HULK #85 IRON MAN #4 IRON MAN HOUSE OF M #2 (OF 3) JLA #117 JON SABLE FREELANCE BLOODLINE #3 (OF 6) JUDGE DREDD MEGAZINE #234 JUGHEAD AND FRIENDS DIGEST #4 KABUKI REFLECTIONS BOOK #5 KARNEY #4 (OF 4) MAD MAGAZINE #457 MAJESTIC #8 MARVEL NEMESIS IMPERFECTS #4 (OF 6) MEGA MORPHS #1 (OF 4) MNEMOVORE #5 (OF 6) MORT GRIM NECROMANCER MANAPUL CVR #1 NEW WARRIORS #3 (OF 6) NIGHTWING #111 NOBLE CAUSES #12 ORORO BEFORE THE STORM #3 (OF4) OUTSIDERS #27 PALS N GALS DOUBLE DIGEST #96 PIGTALE #3 PROMETHEA COVERS BOOK SC PUNISHER #24 RANN THANAGAR WAR #4 (OF 6) REVISIONARY #1 SAMURAI HEAVEN & EARTH #4 (OF5) SCOOBY DOO #99 SEVEN SOLDIERS ZATANNA #3 (OF4) SHANNA THE SHE DEVIL #7 (OF 7) SONIC THE HEDGEHOG #152 SPIDER-MAN BREAKOUT #5 (OF 5) STUPID COMICS #3 SUPERGIRL #0 SUPERGIRL #1 TOXIN #5 (OF 6) TRUE STORY SWEAR TO GOD #14 ULTIMATE FANTASTIC FOUR #22 ULTIMATES ANNUAL #1 VILLAINS UNITED #4 (OF 6) WINGS OF ANANSI ONE SHOT WINTER MEN #1 (OF 8) X-MEN #174 Books / Mags / Stuff ADAM STRANGE PLANET HEIST TP ALTER EGO #51 BIZENGHAST VOL 1 GN BOX OFFICE POISON COMPLETE NEW EDITION TP CANNON GOD EXAXXION VOL 4 TP CLASSIC DAN DARE VOL 6 OPERATION SATURN PART 2 HC COMICS JOURNAL LIBRARY VOL 5 CLASSIC COMICS ILLUSTRATORS TP CONCRETE VOL 1 DEPTHS TP ESSENTIAL DAREDEVIL VOL 3 TP FINDER VOL 7 THE RESCUERS TP FORTEAN TIMES AUG 05 #199 GUN FU TP HEAVY METAL SEPTEMBER 2005 HULK TEMPEST FUGIT TP KODT BUNDLE OF TROUBLE VOL 4 NEW PTG KODT BUNDLE OF TROUBLE VOL 7 NEW PTG LUCIFERS GARDEN OF VERSES VOL1 DEVIL ON FEVER STREET GN MAD CLASSICS #2 MAGE VOL 2 THE HERO DEFINED HC MOME VOL 1 GN PECULIA & THE GROON GROVE VAMPIRES GN RUNAWAYS VOL 1 HC SFX #133 SPIRAL BOUND GN THE KING GN TOYFARE MARVEL LEGENDS PREMIERE CVR #98 TRICKED GN UNCANNY X-MEN NEW AGE VOL 3 ON ICE TP VIDEO WATCHDOG AUG/SEPT 2005 #121 WORLDS FINEST ARCHIVES VOL 3 HC What looks good to you?
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First, let’s be clear on one thing: I freakin’ hate cling wrap and I hope the sonuvabitch who invented it is burning in a sizeable fiery pit right now. The only thing cling wrap is good for is sticking to cling wrap, and it’s only good for that when you don’t want it to do so (when you first tear it off the roll, for example). Otherwise, you can crease it against another piece of wrap all you want and have nothing to show for it except heightened blood pressure and a newly found compulsion to throw oneself out a window.
I’m having a garage sale on Saturday the 13th, and I’m trying to make sets for it—like the sets Hibbs packages and sells at the store—and I thought I could save some time by just wrapping the books in cling wrap and tape. Sure, they’d look a little cheaper but it’d be much faster, right? In fact, they look horrible and I think it might actually take an undexterous idiot like me even longer because, damn it, I’m using cling wrap.
And, yes, this is my awkward way of advertising my garage sale, and I’ll continue to do so throughout the week, complete with address and everything: since nuptials are impending, I thought it’d be a good idea to try and clear out the stuff sitting around in storage, comix, graphic novels, sets (including a complete run of Grant Morrison’s Doom Patrol), PS2 games, DVDs (I know, those don’t take up much storage but a man’s got to have his loss leaders), and some lovely mint-on-card action figures from the days when I was also a psychotic toy hoarder. If you’re in the San Francisco area this Saturday the 13th and you wanted to buy some good stuff at very cheap prices, I hope you’d consider dropping by. A portion of the proceeds go to the Bernal Heights Neighborhood Center Senior Services Program, to boot.
Second, I didn’t read shit this weekend so reviews will be slight. It was just too busy on Friday, and I was a big ol’ boozed up shmoozer as a ton of people dropped by to hang out, and, as has been the case the last couple of weeks, the superhero mainstream just hasn’t interested me very much. Honestly, the first thing I sat down and read, in the morning while it was still quiet? Aaron McGruder’s new Boondocks collection, Public Enemy #2 (which, unsurprisingly, was awesome). And I kept telling myself that it was the clever cutting humor of Aaron McGruder that was keeping me from tackling all the week’s releases and I’d dig in a little later in the afternoon, but…the anecdotal evidence suggests I am on the opposite end of the spectrum with regard to DC and Marvel’s current output. Lots of people are happy with the product, and a lot of it seems to be flying off the shelves and yeah, okay, that’s a good thing. But will I bother to keep reading books (even for free on Fridays) if I don’t really care? Should I even post reviews here if that continues to be the case? Believe it or not, I don’t write these reviews merely to keep my snark finely honed.
So, in brief:
DETECTIVE COMICS #809: Oh, for fuck’s sake. One of the problems, I think, between die-hard fans and creators who work on mainstream superheroes is the dreaded “out of character” problem. If the fans see one of the main characters do something that doesn’t strike them as consistent, they’ll say “so-and-so is acting out of character.” The creators, should they choose to respond, might say something like, “Oh, no, no, no. This is entirely consistent with how I’ve portrayed the character for blank number of issues and is the center of the arc I’ve constructed for the character overall, and I even checked with the book’s editor who assured me it was fine, and, really, it’s the company’s character so if they approve it, it automatically is in character, right?” And then there’s either a flamewar or the die-hard fans go off to was their hands three hundred times and comb their hair for forty minutes, and the creators go off to eat their dinner of Cup of Noodles and hope the landlord doesn’t come ‘round trying to collect the rent again.
But I think we can all agree that Batman altering a crime scene to shift the blame from himself is out of character. And why? Because, if for no other reason, it wouldn’t work. Taking batarangs out of wounds and inserting knives instead? Changing the blood or paint smears so it doesn’t read ‘snitch’? Changing the chord the person was killed or hanged with? A crime scene technician is going to be able to tell the difference in a second. I can’t even believe anyone, in this day and age of CSI: Bandcamp, would think a general public could suspend disbelief for that.
Don’t get me wrong—I don’t think Batman would do it anyway, nor would he suddenly start blasting at bad guys with a shotgun—but at the very, most basic level, it’s just wrong and dumb, and that itself is out of character. I mean, really. Awful.
GOTHAM CENTRAL #34: This, by contrast, ended up reading like the freakin’ Aeneid. I love Kano’s take on Batman, the writing is smart and clever, and I didn’t have to clutch my head in pain at all. A high Good.
HIP FLASK MYSTERY CITY: God damn, I love Ladronn’s art: if there’s anyone who can get you to take a hippopotamus private eye seriously, it’s him. So this issue looks gorgeous, but does it go anywhere? In fact, it tries to go everywhere at once, which gives it the feeling of going nowhere. If it was being published with anything like regularity, and if I thought I’d be reading the next issue, say, a month from now instead of somewhere in 2006, that “everywhere at once” quality might work in its favor (something about its incoherence reminded me a little bit of Chandler). But as it stands now, it’s like a pricey stapled art portfolio with diaphanous word balloons. OK because, man, Ladronn’s art, man.
JSA #76: You know, for a page or two there, I thought we were gonna get something different than “OMAC flies off and disappears.” Nope. These OMACs have gotta be the greatest invention for superhero comic writers since the heydays of the bank robbers/muggers on page two. Actually, OMACs are even better since you don’t have to give them any personality whatsoever. To be fair, this was the most interesting OMAC fight I’ve seen yet, but that isn’t the glowing commendation I wish it was. OK.
JUSTICE #1: May be worth it just for the panel of Green Arrow standing defeated as the building he’s shot his cable arrow into collapses. “Hell.” “I love you, Green Arrow.” That was both hilarious and poignant in a way the rest of this wasn’t. It looks great, sure, but when half the issue is a dream sequence and half the issue is frickin’ Aquaman, it better, you know? It’s a great way to eyeball some Alex Ross art on the cheap, but I was kind of hoping he and Kreuger would also work some of the same magic they brought to Earth X. Oh, well. OK.
NEW AVENGERS #8: For some reason, this kind of reminded me of an M. Night Shyamalan movie: lovely looking, languorously paced. I’ve got some axes to grind but, compared to previous issues, they’re very, very small axes. I’ll say OK.
PVP #0: One the one hand, you can’t really complain about a fifty cent comic. But I do think Scott didn’t do himself any favors here—the strip selection seemed particularly haphazard, bits and pieces from continued storylines where the punchlines worked much better in context. There’s also a new piece, Skull’s origin story, that works much better but, again, only if you know the characters. A nice perk for established fans, I guess, but as an intro to new readers? Eh, at best.
SUPERMAN #220: So Superman can see people’s souls, eh? He has super-soulvision, does he? That is so stupid and wrong-headed I don’t know where to begin. I mean, how does he know that they are souls? What if what he’s seeing is the terrifying absence of a soul, a miasmatic aura that shows how human beings are separated from the unified soulfulness of an animistic universe? It’s one thing for a mystical hero like Raven to see Superboy’s soul. It’s another for Superman to have super-soulvision—it’s just unnecessary and dumb, like “check-balancing breath” and all those other useless powers strewn around in the Golden and Silver Ages. The rest of the issue was nothing to write home about, but super-soulvision? Oy. Awful.
ULTIMATE SPIDER-MAN #81: Not quite as strong as last issue, but a decent read nonetheless. I have to admit my memories of the issue are pretty dim, though: why were Ultimate Shang-Chi and Ultimate Iron Fist in the issue again? Good.
UNCANNY X-MEN #463: Unfortunately, no matter how drastically reality changes, characters written by Chris Claremont still read like characters written by Chris Claremont. Ugh. But Alan Davis art’s involved, so OK.
WILDSIDERZ #1 (OF 5): It’s great that J. Scott Campbell draws his influences from more than just superhero comics—unfortunately, those influences are toy commercials and Saved By The Bell episodes. Kinda sad because I can see how he might have ended up the next great Mad Magazine artist, but I’m sure the toy commercial/Saved by the Bell IP thing has a better chance of paying off big for him. Eh.
TRADE PICK: Lot of very nice stuff this week—I’m having a blast with DC’s Greatest Imaginary Stories, and I also plunked down the coin for the John Romita Sr. Visionaries HC which, for me, is worth it just for that beautifully recolored “Spider-Man No More!” page. And I already mentioned how much I liked Aaron McGruder’s new Boondocks collection, right?
But really, it’s all about Top Ten: The Forty-Niners OGN, which is a great read and well worth the pricey coin: it looks beautiful, it reads great, it has all sorts of bits and pieces that resonate with the first Top Ten miniseries, but it also stands on its own as a tour through a world of wonder and a journey of awakening. There’s a super-cynical part of me that wonders if DC/Wildstorm made this an OGN because the subject material made them uncomfortable and the higher price point would act as its own censor (this was clearly written as a four issue miniseries), but even if so, that’s the only real fault I can find with it. A really wonderful read, and resting at the top of the Very Good rating.
PICK OF THE WEEK: If you haven’t the money to spare, Gotham Central #34 or Ultimate Spider-Man #81. Otherwise, head straight to Top Ten: The Forty Niners OGN: how perfectly goddamn delightful it all is, to be sure. (Yes, I’m sure I’m going to hell for not using that phrase sarcastically…)
PICK OF THE WEAK: Hmm, super-soulvision or crime tampering? Crime tampering or super-soulvision? Tough call, tough call indeed. I’ll go with both Detective Comics #809 and Superman #220 because, dammit, these heroes are supposed to be the icons, you know?Labels: Jeff
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Whoops forgot to put this up before Ben's swimming lesson, here you go: AMAZING FANTASY #11 AQUAMAN #33 ARANA HEART OF THE SPIDER #6 ARCHIE #559 ARCHIE DOUBLE DIGEST #163 BEAR #9 BLOOD OF THE DEMON #6 CAST #2 COCOPIAZO #4 COMMON FOE #2 (OF 4) DAREDEVIL REDEMPTION #6 (OF 6) DARKNESS #22 DC SPECIAL THE RETURN OF DONNA TROY #3 (OF 4) DETECTIVE COMICS #809 ED THE HAPPY CLOWN #2 (OF 9) EMO BOY #2 FANTASTIC FOUR HOUSE OF M #2 (OF 3) FAT BOY & HARVEY #1 FIRESTORM #16 FREAKSHOW #8 GI JOE AMERICAS ELITE #2 GOTHAM CENTRAL #34 HIP FLASK MYSTERY CITY HSU AND CHAN #7 HUNTER KILLER DOSSIER ONE SHOT IMAGINARIES #3 (OF 4) INTIMATES #10 IRON MAN HOUSE OF M #2 (OF 3) JSA #76 JUSTICE #1 (OF 12) JUSTICE LEAGUE UNLIMITED #12 KNIGHTS OF THE DINNER TABLE #105 KOLCHAK TALES BLACK & WHITE &RED ALL OVER LIL KEIKI #1 LOONEY TUNES #129 MARVEL 1602 NEW WORLD #1 (OF 6) MARVEL ADVENTURES SPIDER-MAN #6 MARVEL TEAM-UP #11 MATADOR #4 (OF 6) MENAGE A TROIS #8 MNEMOVORE #4 (OF 6) MONSTER WAR WITCHBLADE VS FRANKENSTEIN #3 (OF 4) NEW AVENGERS #8 NIGHT MARY #1 (OF 5) PHANTOM #8 PVP #0 ROBERT JORDANS NEW SPRING #1 SEASON OF THE WITCH #0 SERENITY BRADSTREET CVR #2 (OF 3) SERENITY CHEN CVR #2 (OF 3) SERENITY QUESADA CVR #2 (OF 3) SEX WARRIOR ISANE XXX #6 SHAUN OF THE DEAD #2 (OF 4) SON OF VULCAN #3 (OF 6) SOULFIRE DYING OF THE LIGHT #1 SPIDER-GIRL #89 STRANGERS IN PARADISE #75 STUPID COMICS #3 SUNDOWN #1 (OF 3) SUPERMAN #220 SWAMP THING #18 TRIGGER #8 ULTIMATE IRON MAN #3 (OF 5) ULTIMATE SPIDER-MAN #81 UNCANNY X-MEN #463 WILDSIDERZ #1 (OF 5) X-MEN UNLIMITED #10 Y THE LAST MAN #36 YOUNG WITCHES VOL 6 WRATH OF AGATHA #1 (OF 3) ZORRO #3 Books / Mags / Stuff AVENGERS VISION AND SCARLET WITCH TP BALLAD OF HALO JONES TP BAMBI & HER PINK GUN GN VOL 1 CARTOON GUIDE TO CHEMISTRY TP COMPLETE CRUMB COMICS VOL 17 SC DCS GREATEST IMAGINARY STORIES TP DRAWN & QUARTERLY SHOWCASE VOL 3 TP FANTASTIC FOUR FOES TP JUSTICE LEAGUE ELITE VOL 1 TP LEES TOY REVIEW AUG 2005 #154 LEGEND OF GRIMJACK VOL 3 TP MARVEL ADVENTURES SPIDER MAN VOL 1 SINISTER SIX DIGEST MARVEL VISIONARIES JOHN ROMITA SR HC NEW AVENGERS VOL 1 BREAKOUT HC RUROUNI KENSHIN VOL 17 TP SANDMAN PRESENTS THESSALY WITCH FOR HIRE TP SECRET FILES SERIES 1 INNER CASE ASST SOLSTICE TP SWAN VOL 4 THREE TENORS OFF KEY SC TOP TEN THE FORTY NINERS HC TRIGUN MAXIMUM VOL 6 THE GUNSLINGER TP X-MEN VIGNETTES VOL 2 TP What looks good to you? -B
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Whew! Hibbs already reviewed Wonder Woman #219 and OMAC Project #4 (in the entry just below this). It makes my life a little easier because I couldn't start my reviews without a brief discussion of them, anyway. I started my day at CE reading both of them, then made my way through the rest of the titles in a more-or-less depressed funk. As Hibbs points out, there was a lot of stuff to like about WW but I dunno: I don’t mind superheroes brutally smashing each other to bits but if you’ve got to plot hammer so relentlessly to get to it, then I’m even more aware it’s just violent spectacle for violent spectacle’s sake.
Which begs the question: Aren’t superhero books just violent spectacle for spectacle’s sake? I think I spent most of the day reading the books with that unhappy possibility in the back of my head. So if my reviews of the following books seems generally crabby and mirthless, that may be why.
AMAZING SPIDER-MAN #522: That scene between Jarvis and Aunt May skeeved me out, and not just because I don’t really want to think about Jarvis having sex or Aunt May having sex (although, does anyone?) But would any butler worth his salt ever mack on a lady of the house, ever? My recent reading of Remains of the Day leads me to suspect not. Throw in the fact that Aunt May is a bossy top (“Did I tell you could remove your hand?”) and it’s exactly like Wonder Woman #219 except with Aunt May and Jarvis instead of Diana, and Clark, and with sex instead of violence. Comic book armageddon, you can’t get here quickly enough. Awful.
ASTRO CITY THE DARK AGE #2: And yet I think something like The Blue Knight, the spectre of death in the form of a cop, is great: it perfectly captures the mood in funny books back in the ‘70s with characters like Ghost Rider, The Son of Satan, and the like. Also, such a figure and its idea of justice is the lynchpin of this issue in a very elegant way—-two brothers end up on opposite sides of the law and, rather than use that for stark melodrama, Busiek uses their positions to examine law and justice (and costumed heroes) as abstracts conflicting against a more complex backdrop of human interaction. Pretty damn Good and worth picking up, even if you haven’t read issue #1 (which I still haven’t).
BATMAN DARK DETECTIVE #6: I thought those wonderful “tck!” sound balloons that gradually grew larger and larger would have more of a payoff, but it didn’t really matter: I still enjoyed the baroque pulpishness of this whole thing, sawed-off limbs and all. The mini should have been three issues instead of six since it ends in an absurdly abrupt fashion anyway. I wouldn't mind seeing Englehart and Rogers get another go-round at this: maybe old dogs can’t learn new tricks, but I thought these old tricks worked pretty well overall. Good.
BELLE STARR QUEEN OF BANDITS #1: I felt my interest waxing and waning throughout this book: most of the individual scenes were just fine, but it didn’t really mesh, in part because it felt just too rushed. As the story initially plays on the difference between how the writer and the Wild West magazines see Belle Starr, and the truth (and later, as we see, between the truth and what Belle presents as the truth) it’s pretty important to give the reader a base impression to work off of, so there’s a sense of development and surprise. Instead, I got the sense the writer’s either got too much material to jam into too short a format, or not a strong enough sense of how to pace such a story. I may pick up issue #2 to see if it gets better because there is potential here. OK.
BLACK PANTHER #6: And so ends Marvel’s most left-handed compliment to Christopher Priest ever: “Priest, we like your stories just fine, we’d just be happier if Reginald Hudlin was writing them, is all.” The Romita, Jr. art was damn tasty, but is it worth the whole pointless retcon? Since we didn’t even get a trade reprint of “Panther’s Rage” out of the deal, I’d say no. Eh.
CATWOMAN #45: Ooo la, la: that art! That final panel of the East End was yummy, wasn’t it? But the not-Clayface from the first story arc plus Hush equals Double-Plus Don’t Care. OK, because of the purty pitchers and maybe now the team can do something interesting.
DAREDEVIL VS PUNISHER #2: Uhh, dude… Isn’t the Jackal dead? I don’t know for sure because I never got to read the conclusion of Bill Mantlo’s Carrion arc way back when, but uhhh…isn’t the Jackal dead? Amazing Spider-Man #150? God, I’m going to dread writing reviews when I’m in my seventies (and comprising approximately 2% of the superhero reading comics market on my own): my memory of everything I read after the age of twelve will be even worse. Plot-element-that-flies-in-the-face-of-continuity-as-I-remember-it aside, I thought this was mighty dull. It’s ballsy of Lapham to create a story that clearly is meant to evoke Miller & Janson’s Daredevil work while sticking to Lapham’s tighter eight panel grid, but it doesn’t work. In Stray Bullets, that grid underscores the inexorable certainty of fate and the smallness of the characters—in DvP it saps the larger moments of much of their impact and the title characters of their iconic heft. Eh.
DOOM PATROL #14: That actually would have been a lovely way to end the series, I thought—a very touching and even subtle (for Byrne) riposte to everyone who bitched about this book’s retconning. But, of course, we’ve got another four issues or so to go, dammit. OK.
FANTASTIC FOUR #529: I would very much like to buy something from J. Michael Straczynski off Ebay because I assume he ships the way he writes; by taking something important and burying it under mounds and mounds of padding. As I see it, when you write a page or two of Mr. Fantastic being chased in a jeep before he turns into a bouncing ball and escapes, Marvel should either (a) force you to pay back the money they paid you for those two pages, and/or (b) reduce the cost of the comic book by two pages so as to prevent the customer from feeling robbed even further. Interesting idea at the end there, though. Eh.
FLASH #224: I feel very proud of myself for figuring out the last page in advance (as opposed to last issue, when I didn’t understand the last two pages even as I was reading them) and the idea for this issue is pretty damn cool, but the execution left something to be desired. Putting aside that I have no idea how two people can stand still on a treadmill while one person runs on it (even if it’s a, you know, cosmic treadmill), I think making Wally relive one painful moment over and over as opposed to, I dunno, forcing him to watch while Professor Zoom methodically stops by with a drum baton to systematically murder everyone he’s ever loved at what should be the happiest moment in their lives, seemed a bit lame. Relievedly lame, admittedly, because I was still annoyed and appalled by the grimtastic Wonder Woman #219, but lame nonetheless. A very decent set-up to #225, though, which I’m actually looking forward to, so OK.
GODLAND #1: As a faux Kirby comic, this was pretty damn Good. Maybe a little too pleased with itself in some places, but the psychedelic astronaut sequences in particular were great. I am not without some reservations, but I liked it overall and am looking forward to next issue. Worth your time.
HEE: Ivan Brunetti’s companion piece to Haw falls short for two reasons, one more interesting than the other: First and foremost, it’s $2.50 for something roughly the size of two postage stamps placed side-by-side. Secondly, Brunetti significantly ups the abstractionism of his cartooning, rendering it much less shocking than Haw. By being more traditionally cartooned and therefore more accessible, Haw manages to be so horrifying you can actually feel your soul slipping closer to Hell every time you laugh at something. Hee just makes you wonder who’s going to pay $2.50 for something roughly the size of two postage stamps placed side-by-side. The abstraction/traditional cartooning schism is a direct contradiction to Scott McCloud’s theory in Understanding Comics about such things, which makes me wonder if there’s some inverse equivalent to The Uncanny Valley where too much abstraction similarly alienates an audience. It also makes me wonder who’s going to pay $2.50 for something roughly the size of two postage stamps placed side-by-side. Awful, on a purely wretched capitalist standard.
HELLBOY THE ISLAND #2: I can’t say I understood it, except in the vaguest sense possible, but I can definitely say I loved it. Mignola’s art pretty much pardons all sins, but I also get a feeling there’s something going on here even if I can’t understand it. It’s not just prettiness for prettiness’s sake. Very Good.
HULK DESTRUCTION #1: Could be used as a primer for bad posture—everyone is hunched over in this book, and when they confront each other, they hunch over even more so that they can glare face to face like genetically modified Yosemite Sams. The script probably deserves better—I appreciated an attempt to finally put The Abomination in some kind of definitive context—but it didn’t really knock me out either. Barely tips the scales at Eh.
JLA CLASSIFIED #10: I wanted to like this, really, I did. But I thought the pacing was draggy and the characters, although witty, seemed very recognizable as Ellis characters and not so recognizable as themselves. (Lois’s banter sounded fine, but all of Clark’s counter-banter sounded like Elijah Snow). And Butch Guice’s work here is a conundrum to me: how can it be both bland and overwrought at the same time? And yet it is. Not so promising, as starts go. Eh.
LEGION OF SUPER HEROES #8: Ultimate LSH proceeds along nicely—-there are enough clever twists to make it enjoyable even if you’re not a vested Legion fan, I think. Suffers a bit from Kitson not doing the art, but not horribly. Good.
NIGHTCRAWLER #8: Again with the fanboy criticisms: I’m pretty sure Kurt couldn’t teleport anyone else until after he’d joined Xavier’s and learned how to train his powers. But, again, with the Alzheimer’s: I couldn’t tell you how much of this cheaply melodramatic “gypsy mutant loves gypsy stepsister despite the burning jealousy of gypsy stepbrother” was already in place and how much of it is Aguirre-Sacasa’s invention. What I can tell you, however, is that it’s pretty stinky. Apart from some nice illo work from Darick Robertson (I’m embarrassed to say I found that chick in the Nightcrawler outfit to be pretty hot, god help me), this just didn’t work for me at all and I’m just tired of the idea at the core of all these separate X-Men series: didn’t any of these motherfuckers have something like a normal life before joining The X-Men? Why should people freak out that you’re a mutant when you’re already part of a magical traveling gypsy circus group of incipient ghost sorcerers? Jeezis! Eh.
OMAC PROJECT #4: Okay, so: Spoilers, but why is it that Diana, who sees with the wisdom of Athena, couldn’t see that Max Lord might have had a back-up plan in place when I, with the wisdom of, uhhhh, Max Smart, did? I mean, it’s not like she pays a surcharge the longer she keeps someone tied up with her golden lasso, right? It’s not like she’s new to the superhero game or anything. The sound of the plot hammers are so loud, I can’t pay attention to anything else! Eh.
PULSE #10: I was interested in the Kat Farrell storyline, far less so when the Hawkeye blabbity-blab kicked in. At this point, I’m kinda hoping Bendis will get so annoyed with the Net readership’s reaction to Hawkeye’s return that he offs him again at the end of House of M. In fact, I’m sure if Bendis works at it, he can get in another three or four Hawkeye deaths by the end of the calendar year. That’d be perverse enough to be interesting, at least. Eh.
SILENT DRAGON #1: I liked the opening of this quite a bit, with a very high-powered “begin-at-the-end” approach, but I thought the rest of the first issue kinda spoiled that a bit by giving the reader too many pieces of the puzzle. But lovely to look at, and worth checking out next issue. OK.
SUPERMAN BATMAN #21: Of course, having Jeph Loeb satirize the worst instincts in superhero comics is doomed to backfire because Loeb’s writing embodies the worst instincts in superhero comics. And yet, you’ve got Batzarro and Bizarro appearing in an arc critiquing imperfect superhero analogs, so I have some sort of—-I wouldn’t call it hope, maybe it’s more like quasi-voluntary optimism—-that there may be some sort of bite thrown in with all the barking. Or at least some entertainingly apeshit comics, at least. OK.
WONDER WOMAN #219: No real need to review this, since most of my heavy duty whining is in the OMAC review above. I just can’t clear the plot-hammer hurtle, mainly, and so the whole thing feels like a very creepy superhero version of “Plato’s Stepchildren.” Eh.
X-MEN #173: I have the horrible feeling someone in editorial is a big fan of Jerry Springer—it’s the only way I can imagine this story, and most of the subplots, being concocted. Please make this stop. Awful.
PICK OF THE WEEK: Hellboy The Island #2, partially by default and partially because it’s great.
PICK OF THE WEAK: So many of the usual suspects, but X-Men #173 because when I read stuff like this and think back to some of the other work Peter Milligan’s produced, it’s way more depressing than a flotilla of Wonder Woman #219 issues.
TRADE PICK OF THE WEEK: I was sure it would be the long-awaited Cute Manifesto TPB by James Kochalka, and as far as price and heft and all that, it’s pretty keen. But, being a collection of J.K.’s poetic essays, it got surprisingly tiresome after a while—-Sunburn managed to stand out by virtue of its elliptical nature, but the rest of it felt strident (very gently strident, but strident nonetheless). Weirdly, Cute Manifesto could’ve used more cute. So it’s a split “haven’t really sat down with ‘em” vote between Promethea Book 5 HC, which appeared to do a great job (at a glance) reproducing that final issue (with miniature versions of the posters at the end), and Kinetic TPB which was one of my favorite overlooked titles of last year and which I imagine will read very well in trade format. It’s really great stuff worth your time.Labels: Jeff
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Smart-ass comic reviews, and comics retailing intelligence, by Brian Hibbs, owner of San Francisco's Comix Experience. And friends!
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